'Do we still need wood, metal and plastic?' asks Hochschule Wismar graduate Aleksander Rasztawicki in context of his Diploma project Leichtigkeit, Lightness. A rhetorical question for Aleksander doesn't believe that we necessarily do. For Aleksander all we...
...vondingen and all other projects selected or invited to participate in the 2024 Grassimesse Leipzig can be enjoyed, viewed, engaged with until 6pm on Sunday October 27th at the Grassi Museum für Angewandte Kunst, Johannisplatz 5-11, 04103 Leipzig...
...The exhibition A Chair and You at the Grassi Museum für Angewandte Kunst, Leipzig, may have ended but its traces can still be felt at Grassimesse 2024, being staged as it is to a large degree in the A Chair and You scenography... Me and My Chair and all other projects selected or invited to participate in the 2024 Grassimesse Leipzig can be enjoyed, viewed, engaged with until Sunday October 27th at the Grassi Museum für Angewandte Kunst, Johannisplatz 5-11, 04103 Leipzig...
...LiLa, Bow and 360° by Nadja Schulze and all other projects selected or invited to participate in the 2024 Grassimesse Leipzig can be enjoyed, viewed, engaged with until Sunday October 27th at the Grassi Museum für Angewandte Kunst, Johannisplatz 5-11, 04103 Leipzig...
...In these dispatches we've oft and long and deep reflected over the (hi)story of, and contemporary reality and relevance of, the Grassi Museum für Angewandte Kunst, Leipzig's annual Grassimesse... So no need to repeat ourselves here, just an urgent need to get to Leipzig and the 2024 Grassimesse with its promise of not just some 78 exhibitors from 8 nations across a wide range of contemporary craft, applied art and design genres, but also, and amongst other specials, a showcase of Ukrainian applied arts and projects by students at 5 international design schools...
...A brief tour through the recent (hi)story of chair design, or certainly western European chair design, that opens with Michael Thonet's 1859 Chair 14, the contemporary Thonet Chair 214, a... , but a work that also redefined chair production: Thonet's warm bentwood process negating the need for skilled carpenters, relying instead on a workforce of highly trained but otherwise unskilled labour, and thereby, essentially, marking the dawn of industrialised furniture production...
...In addition the furniture chapter presents, and as one of very, very few works and creatives on show not directly associated with the Bauhauses, and thus an object whose presence is initially very confusing, a Thonet KS 46 by, strongly attributed to, Anton Lorenz, a steel tube cantilever chair that we first became acquainted with in a photo on show at Power Space Violence... A Thonet KS 46 steel tube cantilever chair of which an example, not the one on show in Weimar, but a Thonet KS 46, was part of the furnishing at Berchtesgaden, Hitler's famed and fabled mountain retreat...
