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smow Leipzig
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04109 Leipzig

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Eiermann 2 Table Frame
Eiermann Table
USM Haller Table
Table Top for Eiermann Table Frames
Eiermann 3 Trestle (Set of 2)
HiLow 2
S 285/1 - S 285/2
Eiermann 1 Table Frame
Copenhague Desk CPH90
USM Haller Desktop on Castors Type 2
S 285/0
Base Table
HiLow 3
USM Haller Desktop on Castors Type 1
USM Haller Table Plus
Flatmate secretary LED
Eiermann 1 Conference Table
Ongo Spark
S 1200
Eiermann Table - Limited Edition
Special Edition
Sushi Dining Table
Maki Dining Table
S 285
Workout wall secretary
Georg Wall Table
Four
Loop Desk
Oblique Desk K2D
Pyramid Table 01
Compas Direction
PS07 Secretary
PS04/PS05 Secretary
Egon
String System Work Desk
USM Haller Table Advanced
Butch - The Wild Bunch
Pilo
Kant Desk
Spanoto
Linear Wood Table
Kurt
Studio Fact Home
70/70 Table
Plane Secretary
Nori dining table
PS20 Secretary
New
M1 Table
Spanoto Black
1500
U-Lift
Level Lift Pure
D1 Secretary

More about 'Leipzig', 'desks' in our journal

smow Blog Interview: Nadja Schulze - My goal is to always break down my designs so that they are easy to understand for all

...Born and raised in Leipzig, Nadja Schulze completed her Bachelor in Innenarchitektur at Burg Giebichenstein Kunsthochschule Halle in the spring of 2023, before beginning an Interior Architecture Master's at the Burg in the autumn of 2023, a Master's in the course of which three lamps, three lamp families, arose, LiLa, Bow and 360°: the lattermost, wall lamps that you turn like an olde worlde telephone dial and as you do the cable rolls in and out thereby providing for both cable storage and a graphic element; the middlemost a flexible, positionable, wall lamp inspired by, and constructed from, tent poles; the foremost Lightweight Lamps, a modular lighting system inspired by tent poles, developed from Bow, that can exist as a wall, floor or ceiling version, and can not only be extended or reduced as a wall, floor or ceiling version, but switched between a wall, floor or ceiling version... Nadja Schulze: I'm from Leipzig and as a child began competing in gymnastic competitions, later training in Halle where I got to know the Burg...

Grassimesse Leipzig 2024 Compact: Aleksander Rasztawicki - Leichtigkeit

'Do we still need wood, metal and plastic?' asks Hochschule Wismar graduate Aleksander Rasztawicki in context of his Diploma project Leichtigkeit, Lightness. A rhetorical question for Aleksander doesn't believe that we necessarily do. For Aleksander all we...

Grassimesse Leipzig 2024 Compact: vondingen

...vondingen and all other projects selected or invited to participate in the 2024 Grassimesse Leipzig can be enjoyed, viewed, engaged with until 6pm on Sunday October 27th at the Grassi Museum für Angewandte Kunst, Johannisplatz 5-11, 04103 Leipzig...

Grassimesse Leipzig 2024 Compact: Faculty of Angewandte Kunst Schneeberg - Me and My Chair

...The exhibition A Chair and You at the Grassi Museum für Angewandte Kunst, Leipzig, may have ended but its traces can still be felt at Grassimesse 2024, being staged as it is to a large degree in the A Chair and You scenography... Me and My Chair and all other projects selected or invited to participate in the 2024 Grassimesse Leipzig can be enjoyed, viewed, engaged with until Sunday October 27th at the Grassi Museum für Angewandte Kunst, Johannisplatz 5-11, 04103 Leipzig...

Grassimesse Leipzig 2024: smow-Designpreis Winner - Nadja Schulze

...LiLa, Bow and 360° by Nadja Schulze and all other projects selected or invited to participate in the 2024 Grassimesse Leipzig can be enjoyed, viewed, engaged with until Sunday October 27th at the Grassi Museum für Angewandte Kunst, Johannisplatz 5-11, 04103 Leipzig...

#officetour Milestones – The Modern Efficiency Desk

...In his 1917 novel The Job Sinclair Lewis makes note of a group of ambitious young clerks who work in the offices at Pemberton - "the greatest manufactory of drugs and toilet articles in the world" - and who sat at "shiny, flat-topped desks in rows"... while that may be a valid response today, in 1917 ambitious young clerks sitting at rows of "shiny, flat-topped desks" were, when not a revolution, then a relative novelty, and for all were highly indicative of a period of fundamental evolution and development in understandings of the office, of office work, of office workers, of office desks...


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