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smow Berlin
Kurfürstendamm 100
10709 Berlin

+49 30 31 00 44 22
berlin@smow.de

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More about 'Berlin', 'Vitra' in our journal

Design for Children at the Bröhan Museum, Berlin

...With the exhibtion Design for Children the Bröhan Museum, Berlin, explore the relationships between design, children and childhood over the century and a bit of their co-existence... A focus on playgrounds the curators very satisfyingly locate in Berlin, including mapping where examples of Beltzig's designs can be found in the German capital, and thereby encouraging you to get out and explore the works in situ, and in the hands of children not of museum curators and custodians...

Grassimesse Leipzig 2024 Compact: vondingen

...The latter being the case with Berlin based manufacturer vondingen a...

5 New Architecture & Design Exhibitions for October 2024

...Our five locations for a party of the spirit, intellect, soul and for improving your understanding of the world material and immaterial around you in October 2024 can be found in Brussels, New York, Hornu, Berlin, and, once the beer tents have been packed away for another year, Munich... be "Design for Children" at the Bröhan Museum, Berlin, Germany There is an argument to be made that 'childhood' as it is popularly understood today is a relatively novel phenomenon; that while all adults were without question once children, not all went through a childhood as understood in the contemporary sense...

Profitopolis or the Condition of the City at the Werkbundarchiv – Museum der Dinge, Berlin

...With the exhibition Profitopolis or the Condition of the City the Werkbundarchiv - Museum der Dinge, Berlin, reflect on the arguments of 1971 in the 2024 we became, on the paths from then to now, on the role of the Deutsche Werkbund then, since and now, and thereby enable space for reflections and considerations on not only why our contemporary cities are as they are, but possible ways forward in context of our cities and those who inhabit them... Or rather a framework for the exhibitions Profitopolis or the Condition of the City, for it is, they are, very much two presentations in one: the first a brief tour through the (hi)story of urban and spatial planning in Germany since the formation of the Deutsche Werkbund in 1907, a formation, as oft noted in these dispatches, initiated by a coalition, an amalgamation, of architects, designers and manufacturers as a response to the poor quality, and even poorer global reputation, of German industrial production of the period, a period when Made in Germany was an insult; a tour that through making stops at moments either undertaken by the Werkbund, by leading Werkbundler or in context of the positions of the Werkbund, such as, for example, the 1909 Hellerau garden city, the 1927 Weissenhofsiedlung in Stuttgart, the post 1939-45 War plans for rebuilding Berlin, or the large scale 1960s/70s high-rise housing estates Märkische Viertel in West-Berlin and Fennpfuhl in Ost-Berlin, develops an argument that whatever else the Deutsche Werkbund is and was since 1907 it was always about responding to social realities and questions of the built environment and of individuals and society in that built environment...

Stühle zum (Be)Sitzen, a smow Pop-up at the Grassi Museum für Angewandte Kunst, Leipzig

...As is the synthetic plastic employed in the Eames RAR that stands, rocks, literally and physically, next to Rietveld's Crate Lounge Chair; a RAR, a member of an Eames' 1950 plastic shell chair family, whose (hi)story is also a succinct overview of the use of synthetic plastics in furniture: originally in fibreglass, at that time an achingly novel material, and, arguably, the first synthetic plastic to enable the production of durable furniture in synthetic plastics, before considerations on the ecological sustainability and impact of fibreglass saw production switch to polypropylene, which itself began to be increasingly questioned in context of its ecological sustainability and impact, questioning which saw Vitra switch production of the Eames plastic shells in 2024 to a novel synthetic plastic won from recycled waste... A 1950s Denmark that also saw the origins of considerations on the possibility of a chair that it would be 1967 before it was realised and 1968 before it became a series product: Verner Panton's eponymous chair through Vitra...

5 New Architecture & Design Exhibitions for May 2024

...Our 6 recommendations for new exhibitions opening in May 2024, our starting points for May 2024, take us all to Berlin, Prague, Jyväskylä, Milan, Brussels and Weimar... Or the Condition of the City" at the Werkbundarchiv – Museum der Dinge, Berlin, Germany Following their enforced relocation, a relocation enforced by the purchase of the building they called home by an anonymous investor group, a building, perhaps not unrelatedely, in a gentrification ready corner of Kreuzberg, the Werkbundarchiv – Museum der Dinge, Berlin, reopen in their new home, or at least reopen their new temporary exhibition space, the new permanent exhibition is due to open in November, with an exhibition that unquestionably, and joyously so, deliciously so, is a response to that enforced relocation...

Diogene by Renzo Piano Building Workshop and Vitra

..."You can't lose ideas in a small space" with this simple piece of almost Confucian wisdom Italian architect Renzo Piano explains part the deeper philosophy behind Diogene, his collaboration with Vitra... And the latest object on the Vitra Campus...


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